Author: Felicia Denise
Independence

Calla

52-Week Writing Challenge: Week 26
Evidently I don’t have enough to do — or I’m a glutton for punishment, because I’m adding July Camp NaNoWriMo to my never-ending (or ever-growing) to-do list. Calla, a romantic comedy, is my 30-day project.
Synopsis
Calla Barrett is a modern-day Cinderella.
Okay – not really.
She’s an accomplished RN and head of nursing at Montford Jones Rehabilitation Center. Calla is attractive, intelligent, respected, and well-liked.
She’s also thirty-four, single with no prospects… and she lives with her eccentric mother, Rose, who may or may not have a mild case of dementia.
Motivated by a close friend’s wedding and the bold heroines of her favorite novels, Calla sets a new course for herself and plans to escape the tiny farm town of Reedsville, Missouri.
No one wants Calla to leave—especially sisters Daisy, Iris, and Violet. If Calla moves away, they will have to take care of their mother. Wealthy sportsman, Birdy Ellison is determined to marry Calla… and teach her to skin a deer.
Calla Barrett’s first steps to a new life give her hope, but a newcomer’s temporary stay in Reedsville tests Calla’s determination… and her heart.
When family and friends butt in, chaos ensues, and Calla will have to pull out all the stops to get her happily-ever-after… and not skin any deer.
Tiny Possible-Snippet
Determined to kill the annoying fly, Rose raced around the room swatting in its general direction, overturning her iced tea and breaking a vase in the process. The fly flew through the doorway into the kitchen with Rose in hot pursuit.
“Look at her, Cal. How could you leave her? She needs you here.” Older sister, Daisy Barrett-Newman, was close to tears.
Sitting in the corner nursing a tumbler of gin, Violet Barrett raises her glass. “She’s right, Calla.”
“And what about Vi, Cal? You know she hasn’t been herself since,” Daisy leaned towards Calla, whispering, “you know…”
Giggling, Violet sets her glass down, pops off her prosthetic leg and waves it in the air.
“The accident, Daisy, the accident. Say it with me, “Since Violet lost a leg in a car accident!””
Rolling her eyes, Daisy glared at Calla as if to say, “See?”
“It’s my turn, Daisy. I missed out on moving away for college. I had to turn down a marriage proposal-”
“Oh, he wasn’t the man for you-”
“But that was my decision to make, not my family’s. I’ve lived my entire life in this house. I want out of it and Reedsville. I want to see the world… or some of it. I want to experience new things and meet new people. I want a life. I want to stand at the edge of the Grand Canyon. I want to take photos at the top of the Eiffel Tower. I want to walk into a New York pizzeria and order a slice!”
Violet pointed her fake leg at her older sister. “She’s right, Daisy.”
Daisy waved them both off. “Now you’re just sounding like one of those broads in those crazy bodice rippers you always have your head buried in.”
“Way to date yourself, sis. They haven’t been called bodice rippers in a generation.”
“Then what are they called, Miss Well-Read?”
“For your information, they’re called historical romances, and they’re just one of the literary genres I enjoy reading.”
Calla smirked, a maniacal gleam in her eyes.
“I also enjoy psychological thrillers. The kind where the ever-put-upon, loving sister snaps, has a mental break, murders her entire family, then rides off into the night… laughing.”
Daisy takes a step backward, horrified.
Rose Gentry Barrett re-enters the room carrying a white bone china dessert plate… with the dead fly lying in the center.
“Told you I’d get him.” Sitting the plate next to the spilled iced tea, Rose grabs the remote and turns on the large, flat-screen television.
The sisters watch her in silence while Rose turns to her favorite station… The Weather Channel.
“Gonna rain in Topeka!”
Lowering her voice, Daisy continues her pleading. “Cal, be reasonable.”
Defiant, Calla crosses her arms across her ample chest.
“Snaps, Daisy. Murder.”
Emptying the gin bottle into her glass, Violet continues her giggling. “I don’t want to read that book. I want to see the movie!”
How to Create Effective Character Names
Names are an important part of all good characters. Names can be brave, funny, or menacing, and are an essential part of character creation. Personally, I always need a name for my characters before I can flesh them out, and that’s why today’s post will provide guidelines for crafting memorable, powerful and effective character names.
Consider Character Traits:
Is your character a tad meek, and maybe a little hopeless? If so, name them Neville Longbottom!
Is your character a tough, competant, I’ll-do-it-alone kinda guy? If so, call them Han Solo!
A character’s name is a reader’s first experience of that character. Thus, it makes sense to use names to reflect a character’s personality.
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“Family Matters (In the Best Interest of the Child, Book 2)” by Felicia Denise #CoverReveal


“Family Matters”
Series: In the Best Interest of the Child, Book 2
Author: Felicia Denise
Cover Design: Jenn Cunningham
Genre: Women’s Fiction
Release Date: August 2017
Synopsis:
Olivia Chandler’s journey to wholeness continues as she enters counseling. Her therapy will not be easy, and may not be successful unless Olivia can forgive her mother. But is Sarina Chandler the only one in need of Olivia’s forgiveness?
A Halloween party brings together a surprising group of people, and Bruce introduces Olivia to his adult children. Another Bellamy has a second chance at love – if he can put his old-fashioned ways aside.
The death of someone close to Olivia has her re-thinking the value of emotional connections. She withdraws from everyone, falling back into her old habit of burying herself in work. A surprise confrontation pushes Olivia to her limits and puts her heart on the line.
Her continued avoidance of confronting Sarina Chandler pulls at the seams of Olivia’s new-found love with Bruce Bellamy. Olivia must make a decision. Save them… or surrender to her emotional demons.
Excerpt:
“Olivia Chandler? I’m Sandra Riley, Sarina’s case manager.”
The tall woman grasped Olivia’s hand into both of her own, shaking briskly. “We’re so glad you’re here today. This is a big step forward for your mother.”
“Nice to meet you, Sandra, and honestly, it’s a big step for me too.”
“Oh, I’m sure, Olivia. Any questions for me before you visit with Sarina?”
Visit with Sarina. She made it sound so cute and homey, Olivia thought.
“Does she know I planned to be here today?”
“Yes, she does. When Sarina asked about you a few weeks ago, she said she also knew you’d have little or no reason to want to see her, but she’d always hoped you come someday.””
Olivia stared at the woman blankly, not knowing how to respond to the comment.
“I’m sure this is confusing, Olivia, and now isn’t the time for me to explain all that Sarina has gone through, but please know she is fully cognizant of her aging, of you, her late husband”, Sandra paused only for a second, “she even remembers the accident. It’s everything between the accident and a few months ago that’s fuzzy for her. It’s as though a switch was flipped off in her brain that was recently turned back on.”
Olivia frowned but didn’t ask the question on the tip of her tongue.
“May I see her now?”
“Of course! Follow me.”
The case manager’s long legs covered the distance across the sitting area in no time at all, with Olivia almost scurrying to keep up with her. Margot and Randie teased Olivia about her brisk walking pace, but she had nothing on Sandra Riley! Olivia would guess Sandra to be at least six feet tall… and light on her feet.
Reaching an unmarked door in the far corner, Sandra held it open for Olivia, who walked through and found herself standing in yet another sitting room, only this one resembled the average family room. Large, comfy chairs, throw rugs and even a flat screen television graced the area.
“Welcome to Honey Ridge East, Olivia.”
“Honey Ridge East? I don’t understand.”
Sandra pointed to a bulletin board on the wall near the door they’d just come through.
“The residents here are grouped by floor, the severity of mental disorder, and the amount of care and supervision needed. The healthiest, most independent residents reside here in Honey Ridge.”
“My mother is here… in this section?”
She nodded.
Olivia tried to digest the information. Her mother was healthy? Required little or no supervision? Trying to reconcile this new Sarina with the bedridden, incoherent woman she last saw five years ago was difficult for Olivia.
“How long has she lived here?”
Sandra pursed her lips, thinking. Then she nodded.
“I’m pretty sure Sarina was here for the group’s Valentine’s Day dinner dance, so that makes it eight months.” Sandra tried not to laugh at the horrified expression on Olivia’s face.
“Don’t be shocked. We also have Easter Egg hunts and 4th of July barbecues. The residents got a big kick out of the Halloween hay rides.” Sandra leaned in towards Olivia, “ And I hear Santa will visit on Christmas Eve.”
Shaking her head, Olivia was incredulous.
“What kind of mental hospital is this? I mean, um…I thought…”
The case manager guided Olivia past the sitting area while answering.
“River Ridge Meadows is a private care, private pay, voluntary commitment facility. We’re fully licensed by the state and the federal government. Insurance isn’t accepted here, and no resident is here against their will. We currently have one hundred and sixty-one residents ranging in age from seven to eighty-six. Most are from throughout the state, but there are a few from other parts of the country, and even four from Europe. River Ridge has two permanent, board certified psychiatrists, two permanent, board certified medical doctors, six psychologists, and a nursing staff of 40 which includes licensed physical therapists.
The residents here are used to a certain way of life, and we provide that here, within reason. That’s why we also have an event planner and a social activities director on staff.”
Sandra stopped at the top end of a short hallway. “But we have all the time in the world for me to tell you about River Ridge, and even give you a tour, if you like.” She nodded towards the end of the hall. “Your mother is expecting you.”
Olivia pressed her hand against her stomach, the tiny nervous tremors threatening to morph into a full-fledged earthquake. Heat enveloped her body as the familiar tang of bile crept up the back of her throat. Closing her eyes, the nervous woman tried to will the anxiety away.
You’ve come this far, Chandler, don’t you dare freak out now!
~ Author Bio and Links ~
A wife, mother, daughter, sister, blogger and indie author, Felicia loves all things book-related and coffee-related. A southern girl by birth, the fifty-something, voracious reader now resides in Arizona (via Michigan and California) with her husband of thirty-three years. Their three adult children also reside in Arizona – with their dogs. Felicia frequently reminds them she is the only one of her parents’ nine children who isn’t a grandparent.
Writing has been a hobby of Felicia’s since grade school, but other than serving as editor and writing for her high school newspaper, she never publicly shared anything until the early 2000s when she began writing fan fiction. At the urging of a good friend, Felicia took on the challenge of NaNoWriMo in 2015, writing what would become her first published book, In the Best Interest of the Child, released in the fall of 2016. Her latest book, Free, a Novella, released May 30, 2017.
Sometimes serious and always sarcastic, Felicia continues her literary search for the ultimate non-alpha, non-billionaire, non-bad-boy hero with a non-sassy, non-feisty, non-bad-decision-making heroine whose relationship exemplifies true romance. Recommendations are always welcome!
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Using Body Language in Your Novel, Part Two—Eyes, Pupils, & Eyebrows
The eyes have it! 😉
They say that our eyes are the “windows to the soul.” Isn’t that sweet? Yes, yes it is. Which is why this would be a fantastic place to practice some poetry, but instead, how about we exploit this little tidbit to benefit our writerly lives? Let’s explore the eyes—in the art of using body language in fiction.
It’s undeniable that our eyes are very special, but what exactly do we see when we stare into someone’s eyes? Information about their emotional state, that’s what. Can you imagine what damage this type of knowledge can do in the wrong hands? Oh boy!
For the villains, they can manipulate, hurt, and deceive. For the heroes, they can help, console, or protect. OR vice versa! Hey, it’s not mutually exclusive, and that’s the beauty. As the reader, you can get an insight on the emotional turmoil they’re all going through. And as the…
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Creating that “Killer” Character
Wordless Wednesday

