Song Lyric Sunday | “You Win Again” – Bee Gees

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “Cards/Dice/Gamble/Lose/Win.”

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Left to my own devices too long and I will sneak in a Bee Gees song. Count on it!  😀

Barry Gibb wrote the melody while brother Maurice conceived the drum sounds (in his garage) that open the track for 1987’s You Win Again.

Maurice Gibb explained You Win Again in a May 2001 interview with Mojo magazine:

“When we get together and write, it’s not like three individuals ― it’s like one person in the room. Usually, we have a book of titles and we just pick one. I loved ‘You Win Again’ as a title, but we had no idea how it might turn out as a song. It ended up as a big demo in my garage, and I recorded stomps and things. There was just one drum on there. The rest was just sounds. Then, everybody tried to talk us out of the stomps at the start. They didn’t want it. ‘Take it off. Too loud! Can we have them not on the intro, just when the music starts?’ All this stuff, but as soon as you hear that ‘jabba-doomba, jabba-doomba’ on the radio, you know it’s us. It’s a signal. So, that’s one little secret ― give people an automatic identification of who it is.

Fun Facts:

    • You Win Again was a No. 1 single in Britain, Ireland, Switzerland, Germany, Austria, Denmark and Norway, as well as making the top 10 in Italy, the Netherlands, Australia and Sweden. It also topped the Eurochart for four weeks. When the song reached No. 1 on 17 October 1987 in the UK, it made the Bee Gees the first group to score a UK No. 1 hit in each of three decades: the 1960s, 1970s, and 1980s.
    • You Win Again was less successful in the US however, only reaching No. 75 in the Billboard Hot 100, as many American DJs were still reluctant to play any Bee Gees music due to the disco backlash of the early 1980s. They finally overcame that problem in 1989 with the hit single One.

Enjoy!

See my Song Lyric Sunday selection for Nesie’s Place!

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Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

You Win Again

Song Lyric Sunday | “You’re Gonna Miss This” – Trace Adkins

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “Dad/Father/Barbecue.”

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One of my favorite country songs has a “daddy-feel” to it, thanks to its performer, Trace Adkins. You’re Gonna Miss This was released in January 2008 as the second and final single from Adkins’ album American Man: Greatest Hits Volume and became his fastest-climbing single to date, his third Number One hit on the Billboard Hot Country Songs charts, peaked at #12 on the Billboard Hot 100, and #19 on the Pop 100 charts.

Ashley Gorley, one of the song’s writers, came up with the central idea for You’re Gonna Miss This one day while a repairman was working on his house. His two children (ages two and four at the time; he has since had a third) were running around the house and stealing the repairman’s tools; after Gorley apologized, the repairman replied, “Don’t worry about it — I’ve got two babies, too.” Gorley, after determining that the incident with the repairman might work as a song idea, recalled it to Lee Thomas Miller, who then suggested the title You’re Gonna Miss This.

Adkins then decided to record it after hearing it; being the father of five daughters, its message resonated with him.

Fun Facts:

    • Gorley and Miller worked backward from the bridge, changing the song’s scenario several times until they finally settled on having the song focus on a female central character.
    • The song’s music video was filmed in Adkins’s hometown of Sarepta, Louisiana and contains a variety of Americana scenes framed around the singer traveling about in a pickup truck.

Enjoy!

See my Song Lyric Sunday selection for Nesie’s Place!

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Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

You’re Gonna Miss This

Song Lyric Sunday | “Into the Night” – Benny Mardones

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “Desire/Lust/Romance/Passion.”

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Its lusty, rebellious vibe has made Into the Night a favorite for decades, but I still get creeped out sometimes by the pervy feel with the opening line, “She’s just 16 years old, leave her alone, they said.”   Mardones said the 16-year-old girl he’s singing about was named Heidi, and she lived in his apartment in Spanish Harlem. Their relationship was purely platonic, however, as Benny looked after Heidi and her family after her father left. Benny would pay her $50 a week to walk his basset hound, Zanky.

Fun Facts:

    • When this song became a hit, Benny Mardones suddenly found himself with a great deal of money and fame, which he didn’t handle very well. He developed a cocaine addiction and got in the habit of drinking a bottle of whiskey every night. He recorded the album Too Much To Lose the next year, but when it came time to tour and promote it, he was in Miami, wasted out of his mind. His momentum was stopped cold and his record company, Polydor, lost interest.
    • Mardones originally released Into the Night in June 1980. The song peaked at No. 11 on the Hot 100 for two weeks in September 1980, logging 20 weeks on the chart before falling off in late October. Mardones was unable to duplicate the success of Into the Night and is considered a one-hit wonder.
    •  In 1989, a “Where Are They Now?” Arizona radio segment spurred L.A. DJ Scott Shannon to add the song to his playlist, ultimately rocketing the song back onto the national charts, on May 6, 1989. Mardones’ recording peaked this time at No. 20 the first week in July, adding 17 weeks to its previous run of 20, to add up to a total of 37 (nonconsecutive) weeks.

Enjoy!

See my Song Lyric Sunday selection for Nesie’s Place!

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Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

Into the Night

Song Lyric Sunday | “I Can’t Stop Loving You” – Kem

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “Avenue/Boulevard/Drive/Lane/Road/Street.”

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I had a song already chosen for this week’s theme, but forgive me if I step away from that.

I lost my husband unexpectedly Thursday morning. While he’d suffered from ESRD (End Stage Renal Disease) and was a dialysis patient for several years, we’d always managed… until his body’d had enough.

This song is for Dennis, my husband and my heart for the last 35 years.

Dennis

Enjoy!

See my Song Lyric Sunday selection for Nesie’s Place!

~~~

Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

I Can’t Stop Loving You

Song Lyric Sunday | “Rapper’s Delight” – Sugarhill Gang

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “Cool/Groovy/Hip/Nifty/Radical/Swell.”

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When you hear the opening lines of “I said a hip hop the hippie the hippie, to the hip hip hop and you don’t stop…” you don’t have to be a Boomer or old head to recognize  Rapper’s Delight, the first commercially successful hip-hop single. It is, and will continue to be, one of the most influential songs in hip-hop. Its beat, which samples the bass from Chic’s Good Times, has been sampled countless times, and many of the song’s phrases have become ingrained in hip-hop culture.

Rapper’s Delight would have been the first rap record to be certified gold (more than 500,000 copies sold), but label head Joe Robinson wouldn’t pay for an RIAA membership; instead he made his own plaques and gave them to artists. Dan Charnas quotes him in his book, The Big Payback:

Why should I pay two percent of my gross profits just to send an accountant to look at my books?

Though not the first rap gold record, it is reported to be the best-selling 12-inch single of all-time by Hip Hop journalist Jeff Chang in his book Can’t Stop Won’t Stop.

FUN FACTS

  • Grandmaster Caz, who wrote many of Big Bank Hank’s rhymes didn’t get a dime (or any type of credit) for the song’s success at the time.
  • Rapper’s Delight peaked at number 36 in January 1980 on the U.S. Billboard Hot 100 chart, number 4 on the U.S. Hot Soul Singles chart in December 1979, number 1 on the Canadian Singles Chart in January 1980, number 1 on the Dutch Top 40, and number 3 on the UK Singles Chart.
  • The Sugar Hill Gang appeared on the syndicated Soap Factory Disco Show in late 1979, and their performance later became the song’s official music video. The group’s performance on the Palisades Park-based program demonstrates the significant overlap between early hip hop and disco of the late 1970s.

I was still in my teens when Rapper’s Delight topped charts and was the go-to dance favorite in the clubs and at every house party. Each generation does its own thing and rap/hip hop have changed, but as this cut celebrates it fortieth anniversary this year, it’s still a “party ova’ here” whenever it’s played.

Enjoy!

See my Song Lyric Sunday selection for Nesie’s Place!

~~~

Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

Rapper’s Delight

Compiled from Genius Lyrics, Google, Wikipedia, and YouTube.

Song Lyric Sunday | “Midnight Train to Georgia” – Gladys Knight & the Pips

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “Dawn/Noon/Dusk/Midnight/Nocturnal/Diurnal.”

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Midnight Train to Georgia was written and originally recorded by Jim Weatherly, who had a solo hit in 1974 with The Need To Be.

Weatherly explained the origin of this song in an interview with Gary James: “The song actually came about after a phone call I had with Farrah Fawcett. Lee Majors was a friend of mine. We’d played in the Flag Football League together in L.A. He had just started dating Farrah. One day I called Lee and Farrah answered the phone. We were just talking and she said she was packing. She was gonna take the midnight plane to Houston to visit her folks. So, it just stayed with me.

After I got off the phone, I sat down and wrote the song probably in about 30 to 45 minutes. Something like that. Didn’t take me long at all, ’cause I actually used Farrah and Lee as kind of like characters I guess. A girl that comes to L.A. to make it and doesn’t make it and leaves to go back home. The guy goes back with her. Pretty simple little story, but it felt real to me. It felt honest to me. I played it for them and they loved it. I cut it on my first album as ‘Midnight Plane To Houston.’ And then later on, maybe a year or six months later, a guy in Atlanta wanted to cut the song on Cissy Houston, Whitney’s mother. They called and said they would like a more R&B sounding title and asked if we would mind if they changed the title to ‘Midnight Train To Georgia’ [so that “Houston” wouldn’t appear in both the title and artist name]. We said ‘change anything but the writer and publisher.’ So, he cut the song on Cissy Houston and it was a nice little cross between an R&B and country record. It got on the R&B charts.

That’s the version that Gladys heard. Some of the background vocals you hear on Glady’s records were first on Cissy Houston’s record. It wasn’t as much, but just some of the feel of the background vocals. And of course Gladys’ record was more of a groove-oriented thing. It wasn’t as slow. It just became a monster record.”

 

FUN FACTS

  • Midnight Train To Georgia was not only a #1 hit on both the Billboard Hot 100 and R&B, but also a #10 on the UK Singles chart. It garnered the group the 1974 Grammy Award for “Best R&B Vocal Performance” and was also inducted into the Grammy Hall of Fame in 1999. It is considered Gladys Knight’s signature song.
  • Gladys Knight & The Pips recorded Weatherly’s Neither One of Us (Wants to Be the First to Say Goodbye) in 1973 and released it as a kiss-off record as their contract to Motown Recording Company (Soul Record) was expiring. Neither One of Us was their biggest Motown/Soul hit, reaching #2 as the group signed with Buddha Records. When they decided to record an album consisting of only Jim Weatherly songs (Imagination), his publisher sent a copy of the song to Knight. This was the second single from the album, after Where Peaceful Waters Flow. It became the group’s biggest hit. The third and fourth singles off the album didn’t do too badly either – I’ve Got to Use My Imagination peaked at #4 in the US, Best Thing That Ever Happened to Me #3.
  • You might ask what, exactly, a “pip” is besides Knight’s backing singers. Well, a ‘pip’ is casino/gaming jargon for the spots on a die or domino. So when you’re at a craps table and you roll a “hard 8” on the dice, that means that there’s four pips showing on the face of each die, as opposed to an “easy 8” which would be the statistically more common 2-6 or 3-5 combinations of pips.

 

Enjoy!

See my Song Lyric Sunday selection for Nesie’s Place!

~~~

Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

Midnight Train to Georgia

Compiled from Genius Lyrics, Google, Wikipedia, and YouTube.

Song Lyric Sunday | “Dance with My Father Again” – Luther Vandross

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “Mom/Mother/Flowers”

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Dance with My Father Again was Luther Vandross’ last Top 40 single but it was one of his most critically acclaimed songs winning Song of the Year and Best Male R&B Vocal Performance at the 2004 Grammy Awards.

Vandross was unable to promote the single, suffering a stroke a month before its release.

The song is about Vandross’ recollections of cherished times with his father, Luther, Sr., who died of complications from diabetes when Vandross was seven.

However, I chose Dance with My Father Again for this week’s theme because as much as those times with his father meant to young Luther, the song turns into a child’s plea for his mother when he sings. “… but could you send her the only man she loved; I know you don’t do it usually, but Dear Lord, she’s dying to dance with my father again.”

Gets me every time.

FUN FACTS

  • Although he and Richard Marx had collaborated on songs before, Vandross asked Marx to work on Dance with My Father Again because Richard had also lost his father (in 1997), and Vandross knew he could understand the feeling he was trying to convey.
  • Luther’s mom, Mary Ida, loved the song and said, “I was amazed at how well Luther remembered his father, how we used to dance and sing in the house. I was so surprised that at 7 1/2 years of age, he could remember what a happy household we had.”
  • While Vandross was hospitalized, a music video was shot for the single featuring musicians, singers, actors and sport stars with their fathers. The video features childhood snapshots of Vandross. However, near the end of the video there is a shot of Luther with his beloved mother. (Luther died in 2005 and his mom passed away in 2008.)

 

Enjoy!

See my Song Lyric Sunday selection for Nesie’s Place!

~~~

Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

Dance with My Father Again

Compiled from Genius Lyrics, Google, Wikipedia, and YouTube.

Song Lyric Sunday | “How Can I Ease the Pain” – Lisa Fischer

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “Hurt/Pain/Agony/Suffer.”

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I used this song on my Nesie’s Place blog in August of last year for the theme fear. However, it struck me as even more in-line with this week’s theme.

The name Lisa Fischer may not be familiar to most but her voice has been a part of popular music for close to forty years.

Lisa was a session and back-up singer for music greats like Roberta Flack, Melba Moore, Teddy Pendergrass, Chaka Khan, Tina Turner, Nine Inch Nails, and Sting. She sang back-up for Luther Vandross from 1983 until his death in 2005, and during the same period, Lisa toured internationally with The Rolling Stones (1989-2015).

It was during this time, Lisa released her only solo album, So Intense, which produced the 1991 chart-topping single, How Can I Ease the Pain.

Produced by Narada Michael Walden and Louis Biancaniello, the song spent two weeks at number-one on the U.S. Billboard Hot R&B/Hip-Hop Songs charts. In 1992, How Can I Ease the Pain won a Soul Train Music Award for Best R&B/Soul Single, Female and the 1992 Grammy Award for Best Female R&B Vocal Performance.

Fischer continues to tour and perform in pop, jazz and classical music, and along with her trio band, Grand Baton, partnered with The Seattle Symphony for a new musical program entitled Just A Kiss Away in February 2018 in which rock music anthems such as The Rolling Stones’ Gimme Shelter were recreated orchestrally.

How Can I Ease the Pain is about falling in love with a player and user and she doesn’t only fear that he’ll never stop coming around, she fears herself for not being able to turn him away.

Enjoy!

See my Song Lyric Sunday selection for Nesie’s Place!

~~~

Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

How Can I Ease the Pain

Compiled from Genius Lyrics, Google, Wikipedia, and YouTube.

Song Lyric Sunday | “Blame It On the Boogie” – The Jacksons

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

This week’s theme is  “Boogie/Rock/Rolling Stone.”

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English singer/songwriter Mick Jackson recorded Blame It On the Boogie in 1977, however, the song was  written originally in hopes of being sold to Stevie Wonder.

The Mick Jackson track was showcased in 1978 at Midem where according to Mick Jackson: “The Jacksons’ manager [Peter Kerstin] heard the track being played…and took a tape recording of it…back to the States [where] The Jacksons quickly recorded a version so it would be out before mine.” In fact, the Mick Jackson recording was released by Atlantic Records in the US also in August 1978.

Despite the Mick Jackson original reaching a #61 peak on the Billboard Hot 100 in September 1978, the Jacksons’ version of Blame It on the Boogie, released as the advance single from the Destiny album, returned the Jacksons to the Hot 100 after five flop singles, and reached #3 on the R&B chart. The song would be coupled with Shake Your Body (Down to the Ground) on an extended club play single and would reach #20 on the dance charts in 1979.

The UK music press, struck by the rival versions being by similarly named artists, (Mick’s legal name is Michael George Jackson vs. American Michael Joseph Jackson… who had yet to become a break-out solo star at the time) declared a “Battle of the Boogie” which Mick Jackson recalls as “great publicity…There was an equal balance of interest from the media about both releases – A good example is that my version came out first on Top of the Pops… The Jackson’s [sic] had the second week…Radio One played The Jackson’s [sic] version and Capital Radio only played mine – It was fair.”

FUN FACTS:

  • The Jacksons’ version was the more successful version reaching Number 8 on the chart dated 4 November 1978; the Mick Jackson version had peaked at Number 15 on the chart for 21 October.
  • Mick Jackson himself in 2003 said of the Jacksons’ version of Blame It on the Boogie: “[the original] version had 100% of our heart and soul in it but the Jacksons’ version had the magic extra 2% that made it incredible.”
  • A promotional music video by the Jacksons was created for “Blame It on the Boogie” in 1978. The video, featuring the group’s members dancing on a black background, relied heavily on electronic trail effects, created at Image West, Ltd. using then-cutting edge equipment. The video also appears on the bonus disc of the DVD box set Michael Jackson’s Vision.

I also posted Mick Jackson’s version for a double-play this week! 😀

Enjoy!

See my Song Lyric Sunday selection on Nesie’s Place.

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Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.
 Blame It One the Boogie
by The Jacksons
Songwriters:
[Verse 1 – Michael Jackson]
My baby’s always dancin’ and it wouldn’t be a bad thing
But I don’t get no lovin’ and that’s no lie
We spent the night in Frisco at every kinda disco
From that night I kissed our love goodbye[Hook – The Jacksons] (x2)
Don’t blame it on the sunshine
Don’t blame it on the moonlight
Don’t blame it on the good times
Blame it on the boogie[Verse 2 – Michael Jackson]
That nasty boogie bugs me
But somehow how it has drugged me
Spellbound rhythm gets me on my feet
I’ve changed my life completely
I’ve seen the lightning leave me
And my baby just can’t take her eyes off me[Hook – The Jacksons] (x2)
Don’t blame it on the sunshine
Don’t blame it on the moonlight
Don’t blame it on the good times
Blame it on the boogie

[Break 1 – The Jacksons]
I just can’t, I just can’t
I just can’t control my feet
I just can’t, I just can’t (Yeah)
I just can’t (Woo) control my feet
I just can’t, I just can’t
I just can’t control my feet
I just can’t, I just can’t (Yeah)
I just can’t (Woo) control my feet

[Hook – The Jacksons] (x2)
Don’t blame it on the sunshine
Don’t blame it on the moonlight
Don’t blame it on the good times
Blame it on the boogie

[Verse 3 – Michael Jackson]
This magic music grooves me
That dirty rhythm fools me
The devil’s gotten to me through this dance
I’m full of funky fever
A fire burns inside me
Boogie’s got me in a super trance

[Hook – The Jacksons] (x2)
Don’t blame it on the sunshine
Don’t blame it on the moonlight
Don’t blame it on the good times
Blame it on the boogie

[Break – The Jacksons]
Ow (Sunshine)
Ooh (Moonlight)
Yeah (Good times)
Mmm (Boogie)

You just gotta (Sunshine)
Yeah (Moonlight)
(Good times)
Good times (Boogie)

Don’t you blame it (Sunshine)
You just gotta (Moonlight)
You just wanna (Good times)
Yeah, oh (Boogie)

Blame it on yourself (Sunshine)
Ain’t nobody’s fault (Moonlight)
But yours and that boogie (Good times)
All night long (Boogie)

Can’t stop that boogie (Sunshine)
Ain’t nobody’s fault (Moonlight)
But yours and that boogie (Good times)
Dancin’ all night long (Boogie)

Blame it on yourself (Sunshine)
Ain’t nobody’s fault (Moonlight)
But yours and that boogie (Good times)
All night long (Boogie)

Ow (Sunshine)
Ooh (Moonlight)
Yeah (Good times)
Mmm (Boogie)

You just gotta (Sunshine)
Yeah (Moonlight)
(Good times)
Good times (Boogie)

Don’t you blame it (Sunshine)
You just gotta (Moonlight)
You just wanna (Good times)
Yeah, oh (Boogie)

Blame it on yourself (Sunshine)
Ain’t nobody’s fault (Moonlight)
But yours and that boogie (Good times)
All night long (Boogie)

Can’t stop that boogie (Sunshine)
Ain’t nobody’s fault (Moonlight)
But yours and that boogie (Good times)
Dancin’ all night long (Boogie)

Blame it on yourself (Sunshine)
Ain’t nobody’s fault (Moonlight)
But yours and that boogie (Good times)
All night long (Boogie)

 

Song Lyric Sunday | “Theme from A Summer Place” – Percy Faith & his Orchestra

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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time and author Jim Adams from A Unique Title For Me is our current guest host. For complete rules or to join in the fun, click here.

This week’s theme is  “Seasons/Winter/Spring/Summer/Fall.”

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Let me tell you a story. 😀

The Theme from A Summer Place is from the 1959 movie of the same name starring Sandra Dee and Troy Donahue. Based on the book, also of the same name, the movie is about teenage lovers from different social classes who get back together twenty years later, and then must deal with the passionate love affair of their own teenage children by previous marriages. It wasn’t a blockbuster or award winner, and unless you were Dee, Donahue, or McGuire fans, the movie was pretty forgettable.

Though Mack Discant penned lyrics to Max Steiner’s musical score, only an instrumental version was used for the movie, and like the movie, pretty forgettable.

However, a few months later, Percy Faith wrote a new instrumental arrangement for his orchestra and recorded a cover in late 1959. The song again was not an immediate success, entering the bottom of the Billboard chart in December of 1959.

Stay with me, we’re getting to the good part!

The song grew in popularity and by February 22, 1960, it was the number one song in the country! And, it stayed there for NINE weeks, which means… it was the number one song in the country on the day I was born—March 1, 1960! How cool is that?  😀

Theme from A Summer Place won the Grammy Award for Record of the Year in 1961 making it the first movie theme and the first instrumental to win a Record of the Year Grammy.

Faith re-recorded the song twice: first, in 1969, as a female choral version, then, in 1976, as a disco version titled Summer Place ’76.

In 2008, Faith’s original version was ranked at #18 on Billboard‘s top 100 songs during the first 50 years of the Hot 100 chart. The Billboard Book of Number One Hits called it “the most successful instrumental single of the rock era.”

FUN FACTS:

  • The Faith version reached #2 in the UK. It was also a #1 hit in Italy under the title Scandalo Al Sole.
  • Faith’s record would not be broken until 1977, when You Light Up My Life spent ten weeks at #1.
  • Other songs did break the record prior to the 1958 creation of the Billboard Hot 100 chart; The Beatles’ Hey Jude tied, but did not break, the nine-week record in 1968.
  • It remains the longest-running #1 instrumental in the history of the chart. Billboard ranked Faith’s version as the Number One song for 1960.
  • Theme From A Summer Place has been covered countless times, with and without the lyrics (included below).

You’d think a video of a sixty-year-old song wouldn’t be found on the Internet, right?

Wrong!

Audio and video have been edited and restored to the video of Percy Faith & his Orchestra playing Theme From a Summer Place.

Enjoy!

See my Song Lyric Sunday selection on Nesie’s Place.

~~~~~

 

Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.
 Theme frOm A Summer Place
by Percy Faith & his Orchestra
Songwriters: Mack Discant, Max Steiner
There’s a summer place
Where it may rain or storm
Yet I’m safe and warm
For within that summer place
Your arms reach out to me
And my heart is free from all care
For it knows
There are no gloomy skies
When seen through the eyes
Of those who are blessed with love
And the sweet secret of
A summer place
Is that it’s anywhere
When two people share
All their hopes
All their dreams
All their love
There’s a summer place
Where it may rain or storm
Yet I’m safe and warm
In your arms, in your arms
In your arms, in your arms
In your arms, in your arms

 

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Guitarist / Songwriter / Blogger

A Unique Title For Me

Hoping to make the world more beautiful

The Dark Netizen

Short Stories - Mostly dark ones!

The Travellothoner

Travel, Running, Fitness, Life, Writing.

unbolt me

the literary asylum

Top 10 of Anything and Everything - The Fun Top Ten Blog

Animals, Gift Ideas, Travel, Books, Recycling Ideas and Many, Many More

Byung A. Fallgren

Story & poetry

Let's Discuss Nutrition

Sound Advice for a Healthy Body

Poetry and Prose

From soul to soul

jhohadli

You've reached the Creative Space of Antiguan and Barbudan writer Joanne C. Hillhouse. Welcome. For info on my writing, services, and more, scroll down. If you need to contact me directly, email jhohadli (at) gmail.com. Sharing with links and credits is fine but unauthorized use and/or duplication of site content without permission is strictly prohibited. For my other blog, go to wadadlipen.wordpress.com