Lyrical Fiction Friday | “His Carla”


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This week’s lyric prompt is:

“…6:00 in the morning yawning and laying down next to you…”

For the rules, click on the lyric above. 

This is the last Lyrical Fiction Friday challenge. Many thanks to Marquessa Matthews for challenging writers to dig deep for the story. I missed a week or two and still have one continuation to complete so there will be more LFF posts from me coming soon.

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I did a thing again with this week’s writing. Thank you, Mr. Migraine. At least you let me write something.

Instead of posting the same short story for Lyrical Fiction Friday and #52weeks52stories, I took the same characters… and went in two different directions. It’s so much fun being me! Enjoy!

~~~

Pat Sinclair made the last few entries in his case file notes. He emailed a copy to his sergeant and to himself, and finally to the queue of the records department.

With his latest case closed and files done, fatigue to bore down on the fifty-two-year-old detective. He eased his bulky frame from his chair and stretched. The aches and pains of age joined in with the past job-related injuries and scarring to once again bring thoughts of retirement to mind.

Why do I keep doing this shitty job? I’ve put in my time. Served my community. Tried to be a good cop and make things better. Twenty-seven years is long enough. Let the new guys have it.

Sinclair thought of the kids coming into the department… with four-year college degrees and not a single clue in their designer-hairstyle covered heads.

Most wouldn’t make it a decade and almost none would get as far as he had. The pay would drive most away. Gen Xers and millennials felt they deserved condos, sports cars, and fancy vacations—things a cop’s salary could never cover. Especially if they had a family.

Family.

The thought made him smile as he bagged the remains of an hours-old sandwich, dropped it in the trashcan and headed for the elevator.

He knew he was a blessed man.

Five great kids with no major problems, and his youngest would graduate from college in five months. He was a good, supportive dad, but he also knew he couldn’t take the credit for such an amazing family.

That honor went to Carla Sinclair, his wife of thirty years.

Pat grabbed his coat, needing to get home to the love of his life.

He’d witnessed many marriages implode over the years. Being married to a cop wasn’t a walk in the park. Resentment could grow in even the most supportive spouses and partners after years of the job coming first.

But not his Carla.

Despite the missed dinners, abrupt exits from school events, and canceled vacations, she stood by his side, never complaining.

The irony was the Sinclair arguments were almost always started by him because of his guilt for working so much. But his Carla was still the voice of reason.

“When we got together, I knew I’d have to share you, although back then, it was with the military. But I knew you were that guy… the guy who lives to serve and protect… the hero. And while others may not see you as a hero, you’re my hero and you always will be.”

His steps quickened when he exited the elevator in the lower level parking garage. Raising his hand, Pat clicked his remote starter as he walked down the ramp. He heard his GMC Terrain roar to life and was grateful to find the air blasting from the heater already warming when he climbed inside.

Chalk up another one in the win-column for the all-knowing Carla Sinclair.

The remote starter was her Father’s Day gift to him, so he wouldn’t have to sit in a cold vehicle until it warmed up.

She was always thinking of him.

He’d learned years ago he couldn’t keep up with her, much less, outdo her, but Pat Sinclair was no quitter.

While his coworkers funneled their overtime dollars to weekend camping trips and tech-inspired man-caves, Pat left his overtime pay… in addition to his regular pay, in the business-savvy hands of his Carla. Combined with her pay as a billings manager for a busy vision-care center, she paid the mortgage, household expenses, notes and maintenance on two cars, clothed and fed five kids, and made him look like a million dollars. When they sat down together each month, Pat beamed with pride at all she’d done, and still manage to squirrel a few dollars away into their savings.

Which was why Pat never turned over all his pay. He had his own small savings account for one reason only… his Carla. Whenever he managed to get two or three days off together, Pat would take her to dinner at an upscale restaurant or to a show. Whatever she wanted. Planning was difficult in the early days when the kids were small but one of their mothers or his aunt Joyce would come to his rescue.

Experience taught him in order to keep his job from cutting into his time off, Pat needed to leave town for special time with his Carla… so he did. Whether it was live theater in the city or making love all weekend at a tiny bed and breakfast two towns away, it didn’t matter to him as long as they were together.

Turning off the thoroughfare, Pat entered Crestwood, the family neighborhood he and Carla had lived in for all of their married life.

Many of their friends from the early years fled the congestion of the city for ranch-style homes in the suburbs, but Pat and Carla loved the big, rambling colonials lining Graves Avenue and stayed put.

He pulled into the driveway of house number two-forty… home.

In an instant, too many cases, not enough manpower, and the many stresses of his job faded from Pat’s mind.

He looked up at the weather-beaten roof. He was thankful it didn’t leak but tiles slipped out of place with each storm. The black shutters adorning each window were now grayer in color thanks to the heat of summer and winter’s freezing temps. Pat cringed as he noticed even in the dawn’s muted light, he could see paint curling around the windows. The house had last been painted when Trevor entered second grade, and in a few short months, he would be a college graduate.

Making a mental note to sit down with his wife and make a list of needed home improvements, Pat exited his SUV, house-key in hand. He had thoughts of retirement daily and he knew Carla was ready to explore a home-based business. With no more tuition payments to make, they could take care of the home repairs and settle into a more relaxed way-of-life.

Letting himself in, Pat grinned at a familiar sight… a note from his wife.

Over the years, Pat’s erratic schedule and caseload might see him home long enough only to shower and change clothes. He could miss seeing Carla or their kids depending on the time of say.

So, Carla left him notes.

Some were obvious—on the hall closet door, the stove, or the bathroom mirror.

Others were not—in his underwear drawer, their medicine cabinet, or the jacket pocket of a suit coat.

Carla’s notes would update Pat on mishaps and ER visits for the kids, upcoming school events, or just that she loved him.

Pat Sinclair loved her notes and saved everyone. His favorite was when after a stressful evening of nursing four kids with the flu while pregnant with a fifth, Carla’s note left on the hall closet door informed him she was running away to join the circus.

“I vowed to love you for better or for worse, but I’m drawing the line at projectile vomiting.”

He laughed at the memory while grabbing the latest note from the closet door.

“There’s stroganoff on the warmer or a turkey and Swiss in the fridge. Also, cold beer or lemonade. And because I’m an awesome wife… and somewhat fond of you, there’s a German Chocolate cake on the counter.”

The corners of his lips quirked into a light smile and he raised his eyes heavenward, thankful for having this amazing woman as his wife. His Carla.

His stomach considered the food she’d left for him, but his heart propelled him toward the stairs, which he took two at a time while turning off his cell phone.

Entering their bedroom, Pat’s heart swelled when his eyes rested on his sleeping wife. She lay on his side of the bed, clutching his pillow.

Tearing at his clothes, he rushed into the bathroom for a five-minute shower to remove the stench of the last twenty-four hours.

After toweling off, Pat crawled into bed behind his wife, pulling her back against him.

Stirring, Carla nestled against him, looking over her shoulder.

“Excuse me, sir, but have we met?”

He kissed her temple.

“Yes, ma’am. Just over thirty years ago at a summer carnival. You sold me popcorn.”

She smirked. “Thirty years ago? You expect me to remember that?”

Pat pulled her closer and rested his head on the pillow. “You don’t have to. I remember everything.”

Carla turned in his arms, laying her head on his chest. After a few minutes, she glanced up. “Is everything okay.”

He kissed her forehead. “It’s 6:00 in the morning, I’m yawning and laying down next to you. Everything’s fine in my world.”

They were both asleep in minutes, Pat Sinclair holding onto the woman who made it all make sense. His Carla.

Song Lyric Sunday | “Caravan of Love” – Isley Jasper Isley


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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “Earth”. 

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This feel-good song from 1985 went straight to number one on the R & B singles chart and fifty-one on the pop charts.  (British indie band The Housemartins also found success with Caravan of Love in November 1986 with their a capella song version reaching number one in the UK Singles Chart on 16 December 1986.)

In my Song Lyric Sunday post on Nesie’s Place, I mentioned the Utopia we all search for in vain. Isley Jasper Isley’s Caravan of Love is about this place of peace which is attainable if we all only reach out in love.

Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

Caravan of Love

Isley-Jasper-Isley

Ooh…ooh…ooh..
Ooh…ooh…ooh..
Are you ready for the time of your life
It’s time to stand up and fight
(It’s alright) It’s alright (It’s alright, it’s alright)
Hand in hand we’ll take a caravan
To the motherland
One by one we’re gonna stand with the pride
One that can’t be denied
(Stand up, stand up, stand up, stand up)
From the highest mountain and valley low
We’ll join together with hearts of gold
Now the children of the world can see
There’s a better way for us to be
The place where mankind was born
Is so neglected and torn, torn apart
Every woman, every man
Join the caravan of love (Stand up, stand up, stand up)
Everybody take a stand
Join the caravan of love
I’m your brother
I’m your brother, don’t you know
I’m your brother
I’m your brother, don’t you know
We’ll be living in a world of peace
In a day when everyone is free
We’ll bring the young and the old
Won’t you let your love flow from your heart
Every woman, every man
Join the caravan of love (Stand up, stand up, stand up)
Everybody take a stand
Join the caravan of love
I’m your brother
I’m your brother, don’t you know
I’m your brother
I’m your brother, don’t you know
Now the children of the world can see
There’s a better for us to be
The place where mankind was born
Is so neglected and torn, torn apart
Every woman, every man
Join the caravan of love (Stand up, stand up, stand up)
Everybody take a stand
Join the caravan of love
Are you ready for the time of your life
(Are you ready, are you ready)
Are you ready for the time of your life
(Are you ready, are you ready)
Come go with me
(Are you ready, are you ready)
Come go with me
(Are you ready, are you ready)
Every woman, every man
Join the caravan of love (Are you ready, are you ready)
Everybody take a stand
Join the caravan of love (Are you ready, are you ready)
Every woman, every man
Join the caravan of love (Are you ready, are you ready)
Everybody take a stand
Join the caravan of love (Are you ready, are you ready)
Songwriters: Chris Jasper / Ernest Isley / Ernie Isley / Marvin Isley

Song Lyric Sunday | “Mr. Telephone Man” – New Edition


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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “phone calls/calling”. 

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I reached deep into the WayBack Machine for this 1984 hit from New Edition, Mr. Telephone Man. The number one R & B song was penned by Ray Parker, Jr. of Ghostbusters fame. (Who ya’ gonna call?)

The group’s youngest member, Bobby Brown, was fifteen at the time, which means this group of teenagers are now all in their forties AND fifties! Feel old yet? You’re welcome! 😀

See the Song Lyric Sunday selection on Nesie’s Place.

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Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

“Mr. Telephone Man”

Written and produced by Ray Parker, Jr.

Mr. Telephone man
There’s something wrong with my line,
When I dial my baby’s number
I get a click every time
Mr. Telephone Man
There’s something wrong with my line
When I dial my baby’s number
I get a click every timeWhen I dial 611 Computer Service
She said “Hello. May I help you, please?”
I told her something must be wrong with my phone
‘Cause my baby wouldn’t hang up on meMr. Telephone Man
There’s something wrong with my line
When I dial my baby’s number
I get a click every time
Mr. Telephone Man
There’s something wrong with my line
When I dial my baby’s number
I get a click every time

She let the phone ring 20 times before she answered
Let me tell you what happened then
A minute later
I got the operator
Saying, “Please hang up and place your call again.”

Mr. Telephone Man
There’s something wrong with my line
When I dial my baby’s number
I get a click every time
Mr. Telephone Man,
Something’s wrong with my line
I try to dial her number
I get a click every time

Some strange man is on the telephone
He keeps telling me my baby ain’t home
She got no party line
The situation’s blowing my mind
Oh, I just can’t take this anymore

Please operator
See what you can do,
I dialed the right number
But I still couldn’t get through
Could you just check the line
Just one more time if you can?
I’m pretty sure her phone
Wouldn’t be answered by no man

Mr. Telephone Man
There’s something wrong with my line
When I dial my baby’s number
I get a click every time
Mr. Telephone Man,
Something’s wrong with my line
I try to dial her number
I get a click every time

Must be a bad connection
I give her my love and affection
I just can’t take this no more
This situation’s blowing my mind
Blowing my mind
Can’t get my baby on the line

I tried dialing information
Mr. Telephone Man
I can’t get no cooperation
Mr. Telephone Man
Her sister’s on the phone
Telling me my baby ain’t at home
Come on, baby, I just can’t take it no more

Help me out
Please Mr. Telephone Man
Help me out
Please Mr. Telephone Man

Song Lyric Sunday | “All I Ask” – Adele


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Song Lyric Sunday was created by Helen Vahdati from This Thing Called Life One Word at a Time. For complete rules or to join in the fun, click here.

The theme for Song Lyric Sunday this week is “truth”.  

Like Bonnie Raitt’s I Can’t Make You Love Me, my post from a few weeks ago, Adele knows the truth but wants the lie… at least for one more night with a man who doesn’t share her feelings in All I Ask. The video is from a live performance on Ellen last February.

Song Lyric Sunday on Nesie’s Place.

Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

“All I Ask”

By Adele

Writer(s): Bruno Mars, Philip Lawrence, Adele Laurie Adkins, Christopher Brown

I will leave my heart at the door
I won’t say a word
They’ve all been said before, you know
So why don’t we just play pretend
Like we’re not scared of what is coming next
Or scared of having nothing left

Look, don’t get me wrong
I know there is no tomorrow
All I ask is

If this is my last night with you
Hold me like I’m more than just a friend
Give me a memory I can use
Take me by the hand while we do what lovers do
It matters how this ends
‘Cause what if I never love again?

I don’t need your honesty
It’s already in your eyes
And I’m sure my eyes, they speak for me
No one knows me like you do
And since you’re the only one that matters
Tell me who do I run to?

Look, don’t get me wrong
I know there is no tomorrow
All I ask is

If this is my last night with you
Hold me like I’m more than just a friend
Give me a memory I can use
Take me by the hand while we do what lovers do
It matters how this ends
‘Cause what if I never love again?

Let this be our lesson in love
Let this be the way we remember us
I don’t wanna be cruel or vicious
And I ain’t asking for forgiveness
All I ask is

If this is my last night with you
Hold me like I’m more than just a friend
Give me a memory I can use
Take me by the hand while we do what lovers do
It matters how this ends
‘Cause what if I never love again?

Song Lyric Sunday | “Neither One of Us” – Gladys Knight & the Pips


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Song Lyric Sunday was created by Helen Vahdati. For complete rules and to join in, go here.

Our theme for Song Lyric Sunday this week is “goodbye/farewell”.  

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There are dozens of great ‘goodbye’ songs but none have been with me as long as 1973’s Neither One of Us (Wants to Be the First to Say Goodbye) by the amazing Gladys Knight & the Pips. I was just entering my teens and of course, that meant I was ‘grown’, right?

Neither One of Us was the title cut of the last album the group would record for Motown before moving to Buddah Records in February of 1973. Lead singer Gladys Knight recalled on A&E’s Biography that she and the group were regarded as a second-string act and that “Diana (Ross) & The Supremes, The Temptations and Marvin Gaye were given all the hits, while we took the leftovers”.

Silly Motown.

On March 17, 1973, the song reached number one on the Hot Soul Singles chart, staying there for four consecutive weeks. Due to the song’s strong crossover appeal, it eventually peaked at number two on the Billboard Hot 100, with Vicki Lawrence’s The Night the Lights Went Out in Georgia blocking it from number one. However, it went number one on the U.S. Record World and Cashbox charts. It also crossed over to the adult contemporary chart, peaking at number 15. Worldwide, it was also successful, peaking at number 9 in France, number 11 in Canada and number 31 in the UK.

On March 2, 1974, at the Grammy Awards ceremony, Gladys Knight & The Pips won the Grammy Award for Best Pop Vocal Performance by a Duo or Group for Neither One of Us. Previously that same night, they had won their first Grammy for Best R&B Vocal Performance by a Duo or Group for Midnight Train to Georgia. [Wikipedia]

The Youtube video is of a live performance on The Midnight Special. I tend to be preoccupied (OBSESSED) with group dance moves, but for me, the Pips were second to none! (Sorry, Temptations! 😜)

See my Song Lyric Sunday selection for Nesie’s Place.

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Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.
“Neither One Of Us”

Written by James D. Weatherly

It’s sad to think, we’re not gonna make it
And it’s gotten to the point where we just can’t fake it (Ooo)
For some unGodly reason we just won’t let it die (let it die)
I guess neither one of us (neither one of us)
Wants to be the first to say good byeI keep on wondering (wondering)
What I’m gonna do with out ya (do without you)
And I guess you must be wondering that same thing too (Ooo)
So we go on, go on together living a lie (living our lie)
Because neither one of us (neither one of us)
Wants to be the first to say good bye
Oooooh ev’rytime I find the nerve
Everytime I find the nerve to say I’m leavin’ (leavin’)
Oh, memories, those old memories get in my way (my way my way)
Oh (Ooo) Lord knows it’s only me only knows it’s only me
That I’m deceiving
When it comes to saying good bye
That’s a simple word that I just cannot say
There can be no way, there can be no way
This can have a happy ending (happy ending)
So we just go on (we go on) hurting and pretending
And convincing ourselves to give it just one more try (one more try)
Because neither one of us (Neither one of us)
Wants to be the first to say
Neither one of us (neither one of us) Wants to be the first to say
Neither one of us (Neither one of us) wants to be the first to say
Farewell my love, goodbye (goodbye)

Song Lyric Sunday | “The Comfort Zone” by Vanessa Williams


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Song Lyric Sunday is sponsored by Helen Vahdati. For more info or to join the fun, start here.

This week’s prompt is ‘Comfort’.

For me, The Comfort Zone by Vanessa Williams was an obvious choice.

The song peaked at #62 on the Billboard Hot 100, #2 on Billboard’s Hot R&B Singles chart and #25 on Billboard’s Hot Dance Music\Club Play Singles chart between 1991 & 1992.

It was also nominated for a Grammy Award for “Best R&B Vocal Performance, Female.”

See the #SongLyricSunday pick for my blog,  Nesie’s Place.

Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

 

“The Comfort Zone”
Written by Reggie Stewart and Kipper Jones

Where do we go
When there’s a need to be loved
Like you need to be loved
Oh, I’ll let you know
Just what to do and where to go
Hey welcome to the comfort zone
When you need to be loved like you need to be loved
Welcome to the comfort zone
Do whatever feels right and turns you on

After a hard day’s work
There’s one thing to be certain of
This ol’ familiar love
It’s not unusual to find that it’s sensual
It’s all you need to let go

There’s no need to try
Or compromise
Or settle for another outside of my love

The thing to do
When you get through
Heed the message seek the comfort of my zone

Hey welcome to the comfort zone
When you need to be loved like you need to be loved
Welcome to the comfort zone
Do whatever feels right and turns you on

Hey let me make you comfortable
Let me take control
And give your mind a break from the day you made
Let’s turn the lights down low
And oh the rest you know
I’ll be here for you
’cause you just stepped into the comfort zone

Song Lyric Sunday | “Total Eclipse of the Heart” – Bonnie Tyler


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Song Lyric Sunday is sponsored by Helen Vahdati. For more info or to join the fun, start here.

 

This week’s prompt is ‘natural disaster’.

Solar eclipses have caused fear, inspired curiosity, and have been associated with myths, legends, and superstitions throughout history. Even today, an eclipse of the Sun is considered a bad omen in many cultures. From fear of hungry demons and biting dogs in Vietnam to bears wrestling with the sun in Native American folklore, eclipses can easily be seen as disastrous.

Fear of solar eclipses still exists today. Many people around the world still see eclipses as evil omens that bring death, destruction, and disasters.

A popular misconception is that solar eclipses can be a danger to pregnant women and their unborn children. In many cultures, young children and pregnant women are asked to stay indoors during a solar eclipse.

But Bonnie Tyler sings of another type of eclipse – a Total Eclipse of the Heart. The song was a HUGE hit for Tyler in 1983—the year I got married—and has been covered by other artists several times. But, it’s Bonnie’s version that still reigns supreme… even if I don’t understand the totally 80s video! 😀

See my #SongLyricSunday post for my blog, Nesie’s Place, here.


Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

Total Eclipse of the Heart

by Bonnie Tyler

Turnaround, every now and then I get a little bit lonely
And you’re never coming round
Turnaround, every now and then I get a little bit tired
Of listening to the sound of my tears
Turnaround, every now and then I get a little bit nervous
That the best of all the years have gone by
Turnaround, every now and then I get a little bit terrified
And then I see the look in your eyes
Turnaround bright eyes, but every now and then I fall apart
Turnaround bright eyes, every now and then I fall apart
And I need you now tonight
And I need you more than ever
And if you only hold me tight
We’ll be holding on forever
And we’ll only be making it right
‘Cause we’ll never be wrong together
We can take it to the end of the line
Your love is like a shadow on me all of the time (all of the time)
I don’t know what to do and I’m always in the dark
We’re living in a powder keg and giving off sparks
I really need you tonight
Forever’s gonna start tonight
Forever’s gonna start tonight
Once upon a time I was falling in love
But now I’m only falling apart
And there’s nothing I can do
A total eclipse of the heart
Once upon a time there was light in my life
But now there’s only love in the dark
Nothing I can say
A total eclipse of the heart
Turnaround bright eyes, every now and then I fall apart
Turnaround bright eyes, every now and then I fall apart
And I need you now tonight (and I need you now)
And I need you more than ever
And if you only hold me tight (and if you only)
We’ll be holding on forever
And we’ll only be making it right (’cause we’ll never be wrong)
‘Cause we’ll never be wrong together
We can take it to the end of the line
Your love is like a shadow on me all of the time (all of the time)
I don’t know what to do and I’m always in the dark
We’re living in a powder keg and giving off sparks
I really need you tonight
Forever’s gonna start tonight
Forever’s gonna start tonight
Once upon a time I was falling in love
But now I’m only falling apart
And there’s nothing I can say
A total eclipse of the heart
A total eclipse of the heart
A total eclipse of the heart
Turn around bright eyes
Songwriters: James Richard Steinman
Total Eclipse of the Heart lyrics © Carlin America Inc

Song Lyric Sunday | “Itching in My Heart” – The Supremes


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Song Lyric Sunday is sponsored by Helen Vahdati from This Thing Called Life One Word At a Time. For the guidelines or to suggest a theme, start here.

This week’s theme is “madness.”

Like my #SongLyricSunday post on Nesie’s Place, this one is also so last century!

Ever have an itch you couldn’t scratch? It will drive you nuts!

This video is in color—go, 1966!—though it could be clearer.

The Supremes came to party and the choreography is stunning… LI-TER-AL-LY! 😀


Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended.

 

Love is Like An Itching in My Heart

by The Supremes

Songwriters: Brian Holland / Edward Jr. Holland / Lamont Herbert Dozier

The love bug done bit me,
Didn’t mean for him to get me,
Woo, get up in the morning
And I’m filled with desire,
No, no, I can’t stop the fire,
Love is real live wire,
Oo, it’s a burning sensation,
Far beyond imagination.
Love Is Like An Itching In My Heart, tearing it all apart,
Just an itching in my heart,
And, baby, I can’t scratch it.
Keeps me sighing, oo
Keeps me yearning,
No mama can’t help me,
No daddy can’t help me
I’ve been bitten by the love bug,
And I need some information
o help me out of this situation,
Now, when you’re ill you take a pill,
When you’re thirsty, drink your fill,
What you gonna do, oh yeah,
when love gets a hold, a hold on you,
Love Is Like An Itching In My Heart,
And, baby, I can’t scratch it.
Love is a nagging irritation,
Causing my heart complication,
Love is a growing infection,
And I don’t know the correction,
Got me rocking and a-reeling,
And I can’t shake the feeling.
Love Is Like An Itching In My Heart,
tearing it all apart,
Just an Itching in my heart,
And, baby, I can’t scratch it

Song Lyric Sunday | “Candy” – Cameo


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Song Lyric Sunday is sponsored by Helen Vahdati from This Thing Called Life One Word At a Time. For the guidelines or to suggest a theme, start here.

This week’s theme is “sugar/candy.”

Can’t think of  candy without Cameo’s 1985 hit of the same name coming to mind. It was a hot number on the charts and in dance clubs. But it’s probably best known for the wedding scene at the end of  1999’s The Best Man with Terrence Howard and Taye Diggs, where everyone does the Electric Slide.

The video is totally 80s! Bad lip-syncing, bad dance steps, bad acting, and 100% fun! The outfits and and hair cuts set fashion trends. Now, we know better.

But what I didn’t know, what I found out more than thirty years later is Cameo’s Candy is about… cocaine! Yes, I’m shocked too! Who knew? Why wasn’t I told sooner? Knowing this, the lyrics below take on a whole new meaning.


Disclaimer: I have no copyrights to the song and/or video and/or hyperlinks to songs and/or videos and/or gifs above. No copyright infringement intended

Candy

by Cameo

Writer(s): Ryan Toby, Will Smith, Larry Blackmon, T. Jenkins

Yeah, yeah, mmm

It’s like candy
I can feel it when you walk
Even when you talk it takes over me

You’re so dandy
I wanna know
Can you feel it too, just like I do?

Oooh!

This stuff is starting now
It’s the same feeling
I always seem to get around you

There’s no mistaking, I’m clearly taken
By the simple mere thought of you

Oh!

This stuff is starting now
This stuff is starting now
This stuff is starting now
Oooh!

My eyes roll in my head
I toss and turn in my bed
In the morning when I think about you

Yes, I do

Simply put you’re the reason why
Even though I’m real shy (Real shy)
I attempt to look my best for you
Indeed I do, just for you

‘Cause you affect me, fascinate me
I thank heaven for the things that you do

It’s like candy
You sure are sweet (Sweet) (Sweet)
You’re so dandy (Dandy)
You’re taking my appetite but it’s alright

It’s like candy
Oooh, vanilla
Oh, chocolate!

You look real nice, wrapped up tight
You’re so dandy
You’re giving me a heart attack
It’s the kind I like

It’s like candy
You’re so dandy

Why you do

You’re like a brand new feeling
In a special way
A surprise package
On a bright clear sunny day (You’re so dandy)

And wrapped up tight (So good)
(So good, yeaheaheah)

Strawberry (Strawberry), raspberry (Raspberry)
All those good things
Violets and gumdrops
That’s what you’re saying to me, me (Me)

Ow!

Sweet candy
Candy
It’s like candy
Sure seems like good candy to me

Oh, baby
Oh

You’re so dandy (Watch this)
Ohoho


 

#SongLyricSunday | “Waterfalls” by TLC


Song Lyric Sunday banner


Song Lyric Sunday is hosted by Helen Vahdati over at This Thing Called Life One Word at a Time and all the rules can be found here.

The theme for Song Lyric Sunday this week is “danger”.  

As always, you can go your own way and post a song that has nothing to do with the prompt.  We’re all here sharing our love of music and lyrics, and most of all, having a great time!

Helen is teaming up with Simply Marquessa and this week’s SLS theme was inspired by her weekly LyricalFictionFriday theme: “I’m locked and loaded…completely focused…my mind is open…” from the song Dangerous Woman by Ariana Grande.


My playlist hasn’t failed me yet – going to stay with it!

“Waterfalls”

Writer(s): ETHERIDGE MARQUEZ, BROWN PATRICK L, LOPES LISA NICOLE, WADE RICO R, MURRAY RAYMON AMEER

A lonely mother gazing out of her window
Staring at a son that she just can’t touch
If at any time he’s in a jam she’ll be by his side
But he doesn’t realize he hurts her so muchBut all the praying just ain’t helping at all
‘Cause he can’t seem to keep his self out of trouble
So he goes out and he makes his money the best way he knows how
Another body laying cold in the gutter
Listen to me[Chorus:]
Don’t go chasing waterfalls
Please stick to the rivers and the lakes that you’re used to
I know that you’re gonna have it your way or nothing at all
But I think you’re moving too fast

Little precious has a natural obsession
For temptation but he just can’t see
She gives him loving that his body can’t handle
But all he can say is “Baby, it’s good to me.”

One day he goes and takes a glimpse in the mirror
But he doesn’t recognize his own face
His health is fading and he doesn’t know why
Three letters took him to his final resting place
Y’all don’t hear me

[Chorus (2x)]

Come on

I seen a rainbow yesterday
But too many storms have come and gone
Leavin’ a trace of not one God-given ray
Is it because my life is ten shades of gray
I pray all ten fade away
Seldom praise Him for the sunny days

And like His promise is true
Only my faith can undo
The many chances I blew
To bring my life to anew
Clear blue and unconditional skies
Have dried the tears from my eyes
No more lonely cries

My only bleedin’ hope
Is for the folk who can’t cope
With such an endurin’ pain
That it keeps ’em in the pourin’ rain
Who’s to blame
For tootin’ ‘caine into your own vein
What a shame
You shoot and aim for someone else’s brain
You claim the insane
And name this day in time
For fallin’ prey to crime
I say the system got you victim to your own mind
Dreams are hopeless aspirations
In hopes of comin’ true
Believe in yourself
The rest is up to me and you

[Chorus (2x)]