It’s time for a Drabble!


Back with another Drabble!

I believe I’m getting the hang of the rhythm.

The difficult part–word usage–is… coming.

Much like any story, writers want readers to be able to empathize with the protagonist (good or bad), and visualize and feel the scene.

Tall order for a hundred words but it is fun!

How did I do?


C H A N G E S – Drabble #2

Kerri Kennedy sat alone on the swing watching her four former friends play across the schoolyard.

They treated Kerri as though she’d changed.

The accident last winter took her father and left Kerri with mangled legs.

She couldn’t stand up straight and walked with a limp, but she was still the girl who liked pineapple on her pizza.

She wasn’t the one who changed.

A soccer ball bounced against Kerri’s foot. She kicked it back to the girl running toward her.

“Thanks. Wanna play with us?”

“I can’t. My leg.”

“Sure, you can.”

Surprised, Kerri smiled at her new friend.


©2018 Felicia Denise, All Rights Reserved

The Real Betty Boop

Baby Esther

The iconic cartoon character Betty Boop was inspired by a Black jazz singer in Harlem. Introduced by cartoonist Max Fleischer in 1930, the caricature of the jazz age flapper was the first and most famous sex symbol in animation. Betty Boop is best known for her revealing dress, curvaceous figure, and signature vocals “Boop Oop A Doop!” While there has been controversy over the years, the inspiration has been traced back to Esther Jones who was known as “Baby Esther” and performed regularly in the Cotton Club during the 1920s.

Baby Esther’s trademark vocal style of using “boops” and other childlike scat sounds attracted the attention of actress Helen Kane during a performance in the late 1920s. After seeing Baby Esther, Helen Kane adopted her style and began using “boops” in her songs as well. Finding fame early on, Helen Kane often included this “baby style” into her music. When Betty Boop was introduced, Kane promptly sued Fleischer and Paramount Publix Corporation stating they were using her image and style. However, video evidence came to light of Baby Esther performing in a nightclub and the courts ruled against Helen Kane stating she did not have exclusive rights to the “booping” style or image, and that the style, in fact, pre-dated her.

Baby Esther’s “baby style” did little to bring her mainstream fame and she died in relative obscurity but a piece of her lives on in the iconic character Betty Boop.

Image: Esther Jones (“Baby Esther”), late 1920s by James VanDerZee