Camp NaNo Update Day #11

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To coin a phrase, when it comes to POV, “The struggle is real!”

POV or Point of View is the angle of considering things, which shows us the opinion or feelings of the individuals involved in a situation. In literature, point of view is the mode of narration that an author employs to let the readers “hear” and “see” what takes place in a story.

Who’s telling the story? Whose point of view will bring the reader into the story?

The wrong—or too many—points of view can confuse, annoy, or bore a reader to tears… and lead them to walk away from a book.

There are four primary POV types in fiction:

  • First person point of view. First person is when “I” am telling the story. …
  • Second person point of view. The story is told to “you.” …
  • Third person point of view, limited. The story is about “he” or “she.” …
  • Third person point of view, omniscient.

Sounds pretty straightforward, right?

When it’s successful, readers won’t notice. The story flows. They’re seeing the plot unwind through the protagonist’s eyes or rotate between characters or the unseen narrator.

When it’s not successful?

“Houston, we have a problem.”

If the point of view isn’t clear, the story isn’t clear.

Who’s talking? When did they get here? What are they talking about?

Confused POV can lead to head-hopping.

What is head-hopping? Technically, it’s having more than one POV in a scene.

I emphasize technically because authors will argue vehemently in favor of or against it. Some say it depends on the genre, while others say it’s the trope, and still, others say don’t do it at all.

I like third person, omniscient because I can avoid most of the confusion… and because I’m nosy and want to know what everyone is seeing, thinking, and feeling. But even that can bring problems if the writer lapses and writes what they’re thinking instead of their character. The third person narrative becomes first person and readers are like, “Wait, what happened?”

Or maybe that’s just me.

I’m trying something different (for me) with Sins of the Mother.  It feels right so far. But then, no one has read the NaNo version except me.

Guess I’ll be sharing excerpts soon.

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Day 11 word count – 21,309

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©2018 Felicia Denise, All Rights Reserved

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NaNoWriMo2017… here we go again! Good lord, I think I’m addicted!

Why else would a sane (by most accounts) person put themselves through this?

The adrenaline rush of November 1st morphs into self-doubt by the 15th, and by the 20th when validation begins, NaNoWriMo seems like the stupidest thing to come along since Big Mouth Billy Bass, the singing fish.

And yet, we trip over ourselves to register every year. Gluttons for punishment (like me) even enter the camps in April and July.

But it is SO worth it!

I’ve learned a lot. Writing voice, writing styles, show vs. tell, passive voice… are more than simple phrases authors throw out to sound smart. (Um…I’ll leave that alone.)

These are just some of the elements needed to write an interesting book.

NaNoWriMo also reinforces the point that even pantsers need a plan. (Calm down, pantsers!)

I was a die-hard pantser–and it worked for me for years. But then, I was writing for myself, church bulletins, PTA newsletters, and fanfic.

Pantsing almost worked for during my first NaNoWriMo challenge. But after reaching 38K, I was like, “Uh…I got nothing.”

I learned the benefits of prepping and for this challenge I began in August.

NaNo Prep

While I may not plot out every location, scene or dialogue, I do write an outline, character sketches, and scene outlines.

Does it work for me? To some extent. But after one day, two scenes, five pages and 1901 words, I already have TWO full pages of changes.

On to day two.