Not all forms of editing are created equal. While any type of editing should improve your story, some forms of editing are more powerful, effective and less time-consuming than others.
Macro and Micro Editing:
This is where the idea of macro and micro edits come in. Macro edits refer to big-picture fixes. For instance, re-writing your climax, adding a new character or even changing your whole plot are examples of macro editing. In short, you’re editing your story on a large-scale.
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Blogger/Writer fun! 😉
Powerful time saver! 👍
Revisions are a critical step in the writing process, but let’s face it, they can also just suck all the joy out of writing. Anything that can help speed up the process and increase focus is a good thing.
One of my favorite tools is Macros.
Unfortunately, like many writers, I was a master of words but never really mastered Word. I’ve wasted a lot of time doing things the long way.
A few years ago, however, I discovered Macros and they changed the speed, focus, and effectiveness of my revision process.
In short, I’m a better writer because of them.
Now before you start to think I’m gonna unload some complicated programming How-To on you and zone out, be assured I’m not.
A Macro is a simple program script that tells your Word Document to do “something.” In our case, it’s going to highlight words that we should consider…
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“In the Best Interest of the Child”
Author: Felicia Denise
Genre: Women’s Fiction
Release Date: September 30, 2016
What Readers Are Saying!
“Debut novelist Felicia Denise definitely knows how to capture her readers’ attention with the depths of the characters she presents along with the layers of subplots that support the main story line very well.”
“Ms. Denise has done a wonderful job on her first novel. I loved the ending; Looking forward to book 2!”
“LOVED IT!! In The Best Interest of the Child by Felicia Denise is a powerhouse novel, overflowing with emotion and real life messages…”
“Can’t wait for Book 2. This new author is incredibly talented. Suspense, romance and drama all in one book, you get it all.”
“Let me tell you, Bruce is pure charm. I have never read a male lead with more sincere charm than this man and Felicia wrote him so well…”
“Olivia Chandler is honestly the type of woman I aspire to be in life. She is strong and confident…”
Rena Averest was holding in an incredible amount of emotions. Pain, loss, fear, and even anger were waging war inside her, and not knowing how to deal with them at the same time, she held them all in. Olivia had seen it too many times. She had lived it.
Livvie stared at the wall, willing her tears not to fall.
“Oh, sweetie. Please don’t be angry. It will only make you feel worse. Everyone was only thinking of what was best for you”, the nurse cooed. She reached out to touch Livvie’s arm, but stopped short and pulled her hand back.
The child met her gaze with a defiant glare.
“You wait days to tell me my daddy’s dead, and now days later, you tell me they already had his funeral.”
“Honey, you were so weak, and your social worker said it was best for everyone not to tell you at the time, and just let you get better.”
“What social worker?”
“Your social worker, Mrs. Jenkins.”
Livvie’s eyes widened.
“That tall woman with the ugly hair and mean face is my social worker?”
“Livvie! That’s not nice!”
“I only remember seeing her once, and she never looked at me… not one time. I don’t want her to be my social worker!”
The nurse sighed heavily.
“Certain decisions have to be made for you right now, Livvie, and since you’re not an adult, the state has to step in and help out.”
“What about my mom?”
The nurse looked away and smoothed the bed covers.
“She’s still in a coma, isn’t she? And you weren’t going to tell me.”
Straightening her back and standing to her full height, the nurse’s voice took a firmer tone.
“You have no idea what your body… and your mind have been through, Livvie. As a child, you’re not able to understand how serious this all is.”
Livvie pushed herself into a sitting position, wincing from the pain.
“My daddy’s dead, my mom’s in a coma and I have no one. People who don’t even know me get to tell me what to do.” She continued before the nurse could speak. “We don’t have any more family. We only had each other. So strangers buried my daddy, and no one told me. I’m ten and a half, not stupid.”
She reached for the child, but Livvie pulled away, wincing again.
“I didn’t even get to say goodbye. My daddy’s gone… and I didn’t get to say goodbye.”
“Livvie, I’m so sorry-…”
Ignoring the pain, Livvie turned on her side with her back to the nurse and spoke in a hushed tone.
“Go away. Just go… away.” Livvie exhaled when she heard the door open, then close. The tears she had fought so hard to hold on to, now wouldn’t come at all. She wanted to scream and cry.
She wanted her daddy to run into the room and save her. Instead, she felt as if the lump in her throat would choke her. Livvie massaged her forehead slowly and closed her eyes.
“Why did you leave me, daddy? I’m so scared, daddy. I need you.”
Livvie felt her legs and back begin to throb and knew someone would come to give her medicine soon to stop the pain. The medicine would make her sleep and she wouldn’t have to talk. The thought made her smile slightly and remember another time when she couldn’t talk.
She’d had her tonsils removed two years ago, and despite being able to eat all the ice cream she wanted, she still cried because of the pain. Her daddy sat close to her on the bed and rubbed her back.
“It’s okay to cry, Livvie-Lou, everyone cries. But I’m going to need you to work towards being strong for your dad. Too much crying is not good for your throat and I know you don’t want to go back the hospital. And you know how your mom feels about hospitals.”
Livvie opened her eyes suddenly.
She had no idea how her mother felt about hospitals.
Family Matters (In the Best Interest of the Child, Book 2)
Coming August 2017
Cover Reveal June 29th!
Sign up with Reads & Reels Book Tours here
If your story lacks realism, readers will be disappointed.
Why? Well, good novels encourage readers to suspend their disbelief; to believe that the story is real, even though it’s obviously fiction. Without realism, readers will find it hard to think your story is, well, real.
Now, coming from a guy whose most recent story was about spaceships, you’re probably a little confused. Does the need for realism impede you from writing about anything you can’t see or experience?
The answer, of course, is no. Stories about aliens, superheros, or medieval vampires can all be 100% realistic, because realism isn’t about stories being true to our world. It’s about stories being true to themselves.
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